North East Open Studios 2025 13th – 21st September Sign Up Here
49

Christie, Duke

Contact Details

Telephone

07796692100

Email

[email protected]

Website

https://www.dukechristie.com

Social Media

Venue

Venue Address

Hillockhead Farm, Dallas, Forres, Moray

Venue Postcode

IV36 2SD

What3Words

///protester.punk.workbench

Directions

FROM FORRES or ELGIN; turn at the War Memorial in Dallas for Knockando. Drive about 250m and turn left, sign posted Hillockhead. Follow the untarred track to the very end. FROM KNOCKANDO; head North for Dallas and turn right after approx. 7 miles, sign posted Hillockhead. Follow the untarred track to the very end.

Parking

Large parking area at front of studio

Venue Facilities

Commissions Accepted Groups Welcome Guide Dogs Welcome Open All Year By Appointment Parking Available Toilet Available Wheelchair / Disabled Access Wheelchair Parking Available

Opening dates & times

Sat13 Sep
10:00 - 18:00
Sun14 Sep
10:00 - 18:00
Mon15 Sep
10:00 - 18:00
Tue16 Sep
10:00 - 18:00
Wed17 Sep
10:00 - 18:00
Thu18 Sep
10:00 - 18:00
Fri19 Sep
10:00 - 18:00
Sat20 Sep
10:00 - 18:00
Sun21 Sep
10:00 - 18:00

Artist statement

Inspired by the mountains, rivers, and sea surrounding my home and studio in the north-east of Scotland I create sculptures and furniture from sustainably sourced local hardwoods. My work celebrates the essence and spirit of wood, one of the closest connections we have with the natural world.

Extended Bio

Drawing upon three and a half decades of experience working with wood, both as furniture maker and sculptor, I strive to create objects which reflect the simple things that enrich our lives and remind us of our essential relationship with nature. Over the past ten years my work has gradually shifted away from the functional constraints and precision of traditional cabinet making using stable kiln dried wood, to more sculptural pieces hewn from large sections of green (unseasoned) timber. This change in direction has granted me the freedom to engage in a close dialogue with wood, embracing the movement and imperfections that emerge during the drying process. My sculptures and vessels are crafted over a period of several months using a combination of traditional hand and power tools to shape forms and hollow out vessels. Fire also plays a vital role in my work. The intense heat causes the green timber to warp and buckle, with cracks and voids appearing, that illuminate the internal landscapes of my vessels. Experimental techniques including sandblasting, more scorching, bleaching, brushing, and burnishing highlight the grain, creating an intriguing interplay of light on highly tactile surfaces. The timber used for my sculptures is sourced from local trees that have been windblown or felled due to instability or disease. Through my work I aspire to capture the essence and spirit of these trees and celebrate the magical gift of wood, one of the closest connections we have with the natural world.